Australian Christmas

In 1994 I was invited to be in a Christmas themed art show at our World Trade Center, at the foot of Canal Street - across from Harrah's. This small exhibit was on one side of the front lobby. The other side had the traditional large Christmas tree, train and traintrack that encircled the tree.

Since the show was at our World Trade Center, we were asked to select a country and look up information on how that country celebrated Christmas. For this show I chose Australia. First of all it is summer down there at Christmas. The beach is a popular place to be. There is "Caroling by Candlelight" on the beach. So, I focused on the candlelight tradition. Painting in an Aboriginal style, I used dots to capture the effect of lights - candles and stars. An aunt, who is often critical of my work, told me she was buying it. It now hangs in her kitchen.

Besides the sale, I had a lot of positive feedback from artists and non-artists when it hung in the show. In spite of all that, I did not pursue making more dot paintings. There were other methods I wanted to try first.

acrylic on canvas, 12" x 16"

Nine Masks in Blue

And finally here is third painting I made of sequined masks. I then went back to painting my loose abstract water paintings. But it wouldn't be long before I made one more stab at an Aboriginal styled painting.

acrylic on canvas, 16" x 20"

Eight Masks in Blue

Here is the second piece completed at the time, "Eight Masks in Blue." I figured I should keep my colors simple since I was still learning how to handle the dots. Again, I intended the dots to look like sequins.

acrylic on canvas, 16" x 20"

The Aboriginal Influence

Twenty-four years ago, last May, I graduated from Mississippi State with a BFA in Graphic Design and other emphases in Photography and Painting – meaning I had twelve plus hours in both areas. The jobs I had after graduating were in pre-press. As for my fine art, I did a lot of experimenting with the techniques I had learned in school. Many of them were rooted in “happy accidents.” Generating unexpected imagery was more exciting to me than planning one out and then simply executing it. My blogs mind places and slingin paint cover the majority of the artwork I created between 1984 and 2000. The dot art was not a high priority. It has something that I’ve come back to at different times.

By 1993 I did some substitute teaching at my old school. My former high school art teacher had me substitute for him. Another art teacher had swapped with him in order to teach high school. She had become interested in the art created by Aboriginals and she had her students painting with enamel paint pens on canvas. Also, she was working on her own painting using the same method. It was at this point I had a chance to view a book of Aboriginal Art.

Suddenly I was excited about trying the method myself. Around this time I became interested in art that had a primitive expressive edge. In attempting dot painting, I was determined to do something that was more connected to New Orleans, since it is where was born and have lived all my life – except when I was in Starkville, MS for collge. It happened that an art association was having a Mardi-Gras-themed art show. So that became my opportunity to try out the dots. My dots became sequins. Below I have posted one of three I painted. It is called "Five Masks in Blue."

acrylic on canvas, 16" x 20"

Australian Christmas

In 1994 I was invited to be in a Christmas themed art show at our World Trade Center, at the foot of Canal Street - across from Harrah's. This small exhibit was on one side of the front lobby. The other side had the traditional large Christmas tree, train and traintrack that encircled the tree.

Since the show was at our World Trade Center, we were asked to select a country and look up information on how that country celebrated Christmas. For this show I chose Australia. First of all it is summer down there at Christmas. The beach is a popular place to be. There is "Caroling by Candlelight" on the beach. So, I focused on the candlelight tradition. Painting in an Aboriginal style, I used dots to capture the effect of lights - candles and stars. An aunt who is often critical of my work told me she was buying it. It now hangs in her kitchen.

Besides the sale, I had a lot of positive feedback from artists and non-artists when it hung in the show. In spite of all that, I did not pursue making more dot paintings. There were other methods I wanted to try first.


acrylic on canvas, 12" x 16"

The Aboriginal Influence

Twenty years ago last May, I graduated from Mississippi State with a BFA in Graphic Design and other emphases in Photography and Painting – meaning I had twelve plus hours in both areas. The jobs I had after graduating were in pre-press. As for my fine art, I did a lot of experimenting with the techniques I had learned in school. Many of them were rooted in “happy accidents.” Generating unexpected imagery was more exciting to me than planning one out and then simply executing it. My blogs mind places and slingin paint cover the majority of the artwork I created between 1984 and 2000. The dot art was not a high priority. It has something that I’ve come back to at different times.

By 1993 I did some substitute teaching at my old school. My former high school art teacher had me substitute for him. Another art teacher had swapped with him in order to teach high school. She had become interested in the art created by Aboriginals and she had her students painting with enamel paint pens on canvas. Also, she was working on her own painting using the same method. It was at this point I had a chance to view a book of Aboriginal Art.

Suddenly I was excited about trying the method myself. Around this time I became interested in art that had a primitive expressive edge. In attempting dot painting I was determined to do something that was more connected to New Orleans, since it is where was born and have lived all my life – except when I was in Starkville, MS for collge. It happened that an art association was having a Mardi-Gras-themed art show, so that became my opportunity to try out the dots. My dots became sequins. Below I have posted one of three I painted. The title is "Five Masks in Blue."


acrylic on canvas, 16" x 20"

Australian Christmas

In 1994 I was invited to be in a Christmas themed art show. We were asked to select a country and look up information on how that country celebrated Christmas.

First of all it is summer down there at Christmas. The beach is a popular place to be. There is "Caroling by Candlelight" on the beach. So, I focused on the candlelight tradition. Painting in an Aboriginal style, I used dots to capture the effect of light. This is a piece that sold.


acrylic on canvas, 12" x 16"