Uno

Each fall Poydras Home has an large art show. An inventory sheet is sent out in advance for artists to list their art information -  including titles. Well, I'm usually not finished my art before I need to send in the form. So, I started naming some paintings using Spanish numbers. That is how I began my dot art painting series called "Numeros." Here is the first painting.

acrylic on canvas, 20" x 20"

Aflow

watercolor on canvas, 12" x 12"

Aburst

watercolor on canvas, 12" x 12"

Agrow

watercolor on canvas, 12" x 12"

Aglow

watercolor on canvas, 12" x 12"

Abloom

This is my second watercolor on watercolor canvas painting.

watercolor on canvas, 12" x 12"

Afire

In the spring of 2005, I purchased some 12" x 12" watercolor canvases. The canvases were covered with a special gesso for watercolor use. So this was a new experience for me. I normally had painted watercolor on paper. The biggest difference with watercolor canvas was the ability to easily pull up the paint. The trade-off was that if I accidentally wet an area the paint would come up too. Anyway, this is one of six pieces I made with watercolor on watercolor canvas.

watercolor on canvas, 12" x 12"

120 Colors

This color pencil piece, “120 Colors” requires a lot more explanation than most of my works. I’ve divided this post up into parts to help keep my thoughts together:

colored pencil on paper, 21" x 26.5"

Combination

Seven years ago an instructor at a workshop suggested to me that I combine some of processes into one piece. Some folks have given me grief about working in all these styles. Unfortunately for me I go through reactionary phases. I swing from one direction to another one. My fellow artists have told me in recent years they recognize what a I do no matter what I do. Yesterday was a deadline for delivering artwork for a weekend art show. Well, I didn’t want to do dots this time. The new paintings appear on my blog art at random.

So what exactly did I combine in this piece? Well, since I’m posting this artwork here, you know there are dots in it. In this instance the use of dots was inspired by the answer bubble sheets used in LEAP testing (the tests Louisiana students have to pass to graduate). It happened that I started this piece in the March of 2005 during “testing week” at a high school where I was teaching art. When this particular week rolls around homeroom teachers administer the tests. I was a substitute for an absent homeroom teacher. Well, I am no fan of this duty – even if it is primarily reading a script.

To begin this piece I created a grid. Then I drew outlines for my dots – like the bubbled in dots I mentioned. The last elements were some squiggly expressionist lines drawn through the grid. But that was only the set-up of parts.

A Whole Set of Color Pencils

Again and again I have listened to artists talk about their limited palette of colors used creating artwork. Well, at that time I was using my fourth 120- color pencil set. Too often there are colors that hardly or ever get used. Anyway, I was bound and determined to use each and every color for once. I was kind of inspired by a “kitsch” art show I saw in Boston at the DeCordova Museum and Sculpture Park.

Random Color Choice

In my last two posts I spoke about my interest in working randomly. Well, unlike my other works that include dots, I chose my combination of colors blindly. Specifically I picked out six pencils at a time without looking. Then I filled in each square, containing dots, on my grid. When finished I placed the six in another container before choosing six more. As I completed a round of choosing every color, then I’d start the rotation back to the original container. It took a long time to render the whole piece.

The Reaction

Needless to say both artists and non-artists have been fascinated by this work. Recently someone told me I should do a close-up study of this piece. At this time I have no specific plans for continuing this tangent of my artwork. Here are some close-up shots.